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Hi there!
Ceve.blog
Writer
The types of bench-sitting for weeks to watch a series so worth on script, engaging storytelling and epic selection of characters and actors. Currently watching Shameless and the amazing actors are so rich in getting into a developing character not over acted, genuine and digestable unforced videography takes.

By the way, I just learned that yapping is a type of video narrating style, and that is how I would actualy describe my style of writing iiiff there is one wherever here.

The other current series that is a jewel, and has me actually waiting for the second season. Had not experienced waiting for a while lol, is Rooster starring Steve Carrel. Bel Air is an honorary mention too.

The intro to Shameless and Rooster is the same, rating 8 out of 10 for good referencing related intro (cause there are epic fails on intro's that seem to be done without any context at all).

Didn't know the series of Shameless (U.S) was a remake, but how exact where the casting people tha just NAILED IT with each main character? Because after Modern Family I could hardly find a t.v series that had the exact characters and its person to play them.

Lip? Whatever he says okeehh, had me looping over and over the same 10 sec scene for as to memorize the way he said things, not only admiring how he said that, how he meant it but how he directed his tone, strength, gaze.. Magical. Carl, that punk baby boy, he a rocker of good old soul- sees everything, knows how to respond with a swift castrating BURN and of course, has that "where have I seen you before" familiarity face tone. His sweet bad boy side smile is what filled my middle school diaries crushs.

The way the main mainly main one, Fiona is basically everything then dumb then crashing dumb, but still holds the runner experience. She works everywhere, tries lots of things, believes in herself and the professional challenges she takes on, until she emotionally mixes up everything and crashes so hard again. I mean, I am angry to her as I feel soo identified. In a past era, that now seems like a past life. The mental state is the dizziest ride you didn't buy ticket to. I feel disgusted I understand her mess. I am aware she is a VERY WELL WRITTEN CHARACTER but it looked like it followed my mental script at some point. The various lovers are not my thing but the emotional attachment she has to the people around her, suuuccckk.

She and her suckness energy of getting everyone to automatically like her cause she thinks she is a good person, like in this episode T4: E9 she was told by another girl (triple dimension burn) that she thinks she is a good person, but she is not. And that's why I feel disgusted by her value of choices, of her not maintaining herself complete enough to not know what is best for her. I do not identify with her in her very much american way of solving things with sex, cause that's delicious and not malicious, and it seems like it is the quick free price for making epic wrong choices.

Each actor is growing with their role and putting a great part to it, like Frank Gallagher my oh my, he is a draining energy sucker you can't stop putting attention into! He is another familiar thing to me but too personal to disclose here because it is not directly me, but that time they placed him in a "safe place" for him to stay and learn his lesson away from the sucked ones - (Canada, yes) I understood. Man I did. Anyway, this actor is making me inspo of just getting 20 daily push ups in. And still hate his guts, but listen to him on his nonsense senselessness of bullying POV. lol he's bluff.

Kevin and V are the barbie and ken north side of the barrio story, and still ghetto in some way or form, I do think he is gorgeous and the way he speaks when insulted like trying to be offended by it but laughing anyway is my mojo, don't know what mojo is but it is. Actively trying to learn that.



Shameless US
Actress
All my Dynasty expectations were as low as a piece of chewed stepped gum can be.

Can someone tell me if the writer was inspired by and then targeted the main characters to just implode in a clash of stories that made no sense iand “why the freak are they doing that?!” type of cringy reaction.

As this series “evolves”, or would I correct to: “The riddles and tales while finding a good writer”, comes to the final episodes (not sure but I hope)..

The main purpose of me watching this series was to see Elizabeth Gillies of course. First eye candy woman to fit the role! I thought, “Awesome! I’m gonna study her Suits style moves, her serial entrepreneurial take, her business networking strategies and sooo on. If you saw it, you know, that wild character appeals more in my head than what is televised.

Is there someone actually reading the script or just changing directors for one script is experimental enough? The critics are the public, the readers, the fans; ultimately to reflect what a great storytelling could be for a character like that.

The first letdown is the cast being off and on in weird ways. And not the ones chosen, but the removed ones.. The new actress Elaine Hendrix is ok but does not have the villany eyes the OG one had and to have her “undergo plastic surgery” And in the last episode the OG actress looked as authentically bummed as expected, and the director just matched her dark vibe with an equally dark transition.

For now sitting down with my coffee and t.v is underwhelming expectations on how can this characters be saved? Will I need to research why this all happened and auto-spoil the ending or see how the storytelling hopefully unwraps in the best enigmatic back-to-the-top script.

Nice to see you, Thank you for being here 🙂





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— Ceve
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